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So good, Jillian! Thank you so much for this over-the-shoulder, through-the-museum, out-through-the-filing-cabinet look at Mr Caro's work. I'd never heard of him until now (I am Dutch/European - it's insane the number of people you can "never have heard of" when you don't live in the States, but only love it from a distance). I shall use all of this for my own (only partially) disorganised way of working. Un énorme merci!

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Knowledge is so, very regional, and The Power Broker is such a NY book. I'm glad his methods are helpful for you! Vous êtes les bienvenus!

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This one is such a treat. I love to see how the work becomes a total, immersive, lived experience for him. A conversation with himself... pouring into physical space.

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Oh, I love the way you describe it, Isabel! My best writing experiences have always been "immersive" as you say. There is certainly something to physically surrounding oneself with a subject.

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Sep 16Liked by Jillian Hess

Fascinating stuff. Thanks

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Glad you thought so too!

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Truly amazing process. So much goes into creating a masterpiece.

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I find it so refreshing to see the labor that published works often render invisible. It gives me hope :)

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Sep 16Liked by Jillian Hess

Amazing! What a thorough and well organized process. And I loved the notes to self. I’m going to start that today 📝

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I'm glad! It's such a great tool.

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That was fascinating! The success of the finished work makes it seem easy. This made the success that much sweeter!

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Robert Caro is such a fascinating individual. I highly recommend Turn Every Page -- the documentary of his and Robert Gottlieb's relationship -- which you might have already seen. By extension, Gottlieb's memoir, Avid Reader, is also fantastic. Well, it looks like I need to make a trip to NYC soon to see this exhibit. Thank you for your effort in highlighting this!

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Sep 16Liked by Jillian Hess

Of all the many things I read from the internet resources, it is your posts I look forward to and savour each word. It’s like finding a writer’s gathering place gleaning from the writer’s conversations. It’s been a long time I’ve felt this particular enjoyment. Thanks so much!

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Oh, thank you, Barbara! Your words brought a smile to my face!💛

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I found a place where my endless scribbles in a notebook 📓 does not make me seem weird or not following the proper protocols of journal writing! This has been really encouraging. Thank you for your Substack!

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I'm so glad you found Noted! I've also felt so affirmed by this community--there are quite a lot of us note-lovers out there!

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wow! such dedication to his work (and a spouse with, what sounds like, equal commitment.) i've been listening to "The Power Broker" series (in monthly installments) as a sub-series on the podcast "99% Invisible". it will run through the end of the year. it goes through the book in sections with commentary and is so good. i highly recommend. also has special guests, such as AOC.

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Yes, I’ve listened to some of the episodes and it is SO good.

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Thank you for mentioning the podcast- That's my favorite way to digest info!

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I loved reading his book Working! This is a fun supplement to that.

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Wasn't that book amazing?! I think I've read it 3x at this point.

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Yes! A keeper for sure!

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This is so fascinating! And yes, more Ina please!

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Sep 16·edited Sep 16Author

I 💛 Ina! I actually tried to get an interview with her, but she was busy working on a book project. Perhaps I'll try again...

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What a grand post! As a writer who loves research I read Caro’s methods as the greatest lessons anyone can aspire to. He and Ina have dedicated their lives to being vessels for the truth. I love seeing them discover where their point of view needed adjusting and letting others be really heard.

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I've learned so much from Caro. I'm particularly in awe of his patience.

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This is fascinating from beginning to end! Thanks!

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I'm so glad, Ruth!

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Sep 16Liked by Jillian Hess

What's it like being Caro's editor? That must be a hell of a job.

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Thanks you for this. I find his work and working style fascinating. It’s good to know the exhibit is ongoing. I am trouble by the lack of references to Ina. I want to know more about her.

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I agree with you. I've come to see all of the research as a joint project--equally owned by both. I tried to get an interview with Ina in the past, but she was busy working on a book. I might try again. I'm so fascinated by her.

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She is fascinating. Have you read her books? I have not, yet.

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